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Halie Torris

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Screen Shot 2019-09-18 at 3.11.01 PM.png

Do we ever really see?

March 16, 2019

When I was younger, I started painting seascapes because they were "easier" than portraiture. Initially looking at a landscape rather than a portrait, it does appear to be simpler. It's just a horizon, simple planes of water, and sand. Maybe a wave or two here and there. A subtle scene, basic in its form and value.

However, I realize now that I wasn't seeing it. Rather, feeling it.

When I paint a multi-dimensional subject like the sea onto a wooden board or canvas, I want to invite you into that same experience that I was having in the moment.

I want you to smell the salt in the air and feel as if you can taste it on your lips.

Feel the sand beneath your feet and hear the waves crash onto shore.

Light melodies of seagulls in the background.

The water washing against the rocks and spraying into the air like confetti.

Small waves barreling into one another.

Rip currents below the surface, hidden from view, tugging at the pebbles and seashells caught beneath.

I want it to feel like you could reach into it and touch the water itself, yet when you reach out, you look dumb-founded when your hand connects with the wood board.

A silly thought, however

I want that type of illusion.

That type of art.

That truly captivates in its simplicity.

Screen Shot 2019-09-18 at 3.11.10 PM.png

Why am I painting a simple seascape rather than my usual surrealism subjects?

I realized this exact reason and explanation, as stated above.

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